Chatham Hill Winery is pleased to announce that
a local artist, Ellen
Giamportone , will exhibit her unique
photographs in the Tasting Room Art
Gallery during the months of July and August.
Please stop by to view Ellen’s exhibit anytime during Chatham Hill Winery’s
open hours. All items are for sale and marked as such.
We hope you will join us during this exhibit.
Ellen Giamportone
- Artist's Statement
Since 1974 I have been using a camera to look at the world of people,
places, objects and ideas. Concealment is a theme that I often explore in my
photography.
For
the last 4 years I’ve been shooting a series entitled “Lifting the Veil of
Night.” Nighttime settings offer tableaux, which spark the unconscious human
desire for deeper connections unavailable by the light of the sun. In the
same way, masks, like darkness, conceal the familiar allowing for power and
mystery to be revealed.
Masks
provide a concealment of the familiar allowing a transformation to occur
within the wearer. A simple mask, even just covering a part of the face, can
access this transformation through body language into the character, animal
or spirit the mask portrays.
Masks are used almost universally for their expressive power. They can blur
the line between reality and fiction, providing a disconnection from the
rational mind allowing more creative fluid associations to form and flow.
The
function of masks may be magical or religious; they may appear in rites of
passage or as a make-up for a form of theatre. The wearer and viewer are
able to have the shared experience of seeing and feeling this embodiment.
My
photographs investigate night and darkness as mines for psychological and
poetic excavation. Our present culture has turned our view of the dark into
a phobia. We tend to walk quickly at night because being out in the darkness
is something we instinctively avoid.
Nighttime exploration and adventure is also less appealing not only due to
fear, but also because our habits as a society are increasingly linked to
technology. It is my belief that nighttime settings offer tableaux, which
spark the unconscious human desire for deeper connections unavailable by the
light of the sun.
The
night exists as part of life, part of the 24 hour cycle of a day. Night
conceals the details of color and form, revealing only portions in pockets
of light. Just as the “light” of day can be used as a spiritual metaphor for
consciousness, “darkness” is that place within us that represents the
unconscious.
By
exploring concealment, I strive to offer images as portals of entry into
realms where we resonate at our core; where we might find a touchstone of
some sort of truth, a form of beauty and a sense of mystery.